1997 - present
This beast came to reality 4th of June 1997 in the small suicide city of Novi Sad Located in
Serbia (Europe). Child changed it's sound rapidly, from butterfly to hungry beasts, from pornographic
to art, from culture to insanity. In it's early years, child produced several works of video art., film
soundtrack and theatre music. Collaboration with many underground acts and artists also took place
in it's career. It began to feed with first sounds on 'Abnormal Waltz' (1998 demo tape). Exploring the
dark sides of the human mind the first official work 'Mr Borndead's Feast' (2004) but many commercial
segments of sound experimentation destroyed the beauty of original songs, all because child was
hungry for sex. This work talked about the past and the bloody feast of the close minded. 2004's it
began to walk continuing to expand and redefine it's sound and purpose. A substantial increase in
live performances - once an unheard of rarity - has lead to much greater recognition by a new
generation of fans. Child was ready to eat your souls and fuck your whores. In 2005, Holland music
label MoocSound Records , released 'Mr Borndead's Feast' in digipack format. Child began to
scream.
Next work came in august 16th. 2007 - 'Future Porn Machine'. This new work sounded more
darker and more industrial rock than the previous one leaving the production rough. The main
concept was the pornographic future, where art = pornography = art where machines are replaced by
humans. "Insurrection Records" from Belgrade recognized it and released it. The whole idea now
went to the crossover sound. Child changed it's taste to 'inner massacre'. In 2008, it was included in
much of the foreign music compilations. Child began to fuck hard.
Third work 'El Conquistadors' was finished in late 2008. This was meant to be totally different
from the previous works. New taste followed more post-industrial and less melodies, including some
very dark whispers and new insanity in live performance. It's concept was to bring the old sound from
the 80's back to life. This work was the last one in time trilogy talking about the present tense and
human inner boundaries. It was officially released in Serbia for Insurrection Records on March the 6th
in 2009. The reviews lifted it to 2nd place of "Balkan albums of 2009" in Croatian music magazine
Terapija and 3rd place of "must-have" in Macedonian "Okno" music magazine. Child began to kill.
In 2010 child re-mastered and re-released it's third work for industrial music label 'Beast of Prey' from
Poland. Next work came out in February 2011 - 'dreDDup' was released. This 4th work came out as a
surprise to the audience as the sound changed rapidly. This new taste was labeled "personal horror
diary" from one of the press critics. "One of the new 10 best industrial rock albums for 2011" - was
also stated in the press. This work defines the darker side of the child's taste and goes beyond El
Conquistadors. It was a complete abandonment of genres and this is now pure fucking insanity. Child
fell asleep.
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